
His movie, Son of the Sheik premiered the first
week of July 1926, and then it
took another week for it to make it out to our little citrus farming
community
of Covina, California, but both Margaret-Ann and I knew we had already
seen the
best it had to offer. We had seen HIM in all his glory as a real
person, even a
nice person – the most romantic and glamorous movie star ever: Rudolph
Valentino.
**********************
Margaret-Ann
Morton and I both had turned
thirteen only the month before, and in truth sometimes I think we were
more
friends of convenience than anything else. The biggest things we have
in common
are a shared property line between our fathers’ orange groves, and our
love of
the movies.
It’s
not that Margaret-Ann is really a bad
person, but she can be very exasperating, excitable, and given over to
wild
schemes. Which is
why I knew I was crazy
to go with her that early April morning in 1926. But I’ll always be
glad I did.
Splat,
splat, thunk, splat. It was still
dark, and as I lay in bed I had trouble deciphering what was a dream
and what
was reality. Thunk, the sound on my bedroom window came again. It was
real.
“Elora.
Elora, wake up. I’ll tell you my
plan in a little bit, but we’re going to have to leave right away so
you’ll need
to get dressed first. Then I’ll explain.”
It
was Margaret-Ann’s voice coming from up
the yard in the loudest possible whisper you could imagine.
“Sssh,
Margaret-Ann you’ll wake up
everybody,” I genuinely whispered as I ducked one last rotten orange
section as
it came sailing straight toward my face. (I think Margaret-Ann may have
thrown
that last one on purpose.) “I’ll get down there real quick, you just
hush up,
and stop throwing those things in the meantime.”
I
rushed to get dressed and be down in our
yard before she caused any more commotion. I judged the time a little
after
5:00 AM, too early even for the citrus farmers to be out on a Saturday
morning.
I could tell that Margaret-Ann most certainly had a plan, one that she
didn’t
want anyone else to know about – except me. That meant she wanted me to
be part
of it, and when that happens I always get a sort of shaky feeling.
I
grabbed my plaid cotton shirt and denim
overalls still lying on the chair from where I’d undressed the night
before.
With a pair of hopefully matching socks and my comfortable old work
shoes in
hand, I silently crept down the stairs and out of the sleeping house.
Although
the light was very dim,
Margaret-Ann’s shape looked larger and lumpier than normal. But it was she who commented on my
appearance.
“Elora,
why did you dress like that? That
ensemble makes you look extra plain.” Ensemble was a fancy word we’d
looked up after
seeing it in Movie Star magazine.
Margaret-Ann truly enjoyed trying to talk like those magazines. “And
there
isn’t time for you to change into something nicer.”
No
need to ask her what she meant by extra
plain, with my freckles and straight mousey-brown hair. “How am I
supposed to
know how to dress when you wake me up without any warning or clue as to
what
you are doing? And I think you look a little odd too, what have you got on?”
“You
will be amazed at my forethought.” Margaret-Ann
replied still much too loudly. “On the outside I’m wearing my brother’s
work
shirt and pants, but underneath them are my long white stockings and
best
church dress—so they won’t get dirty. In the pants’ pockets I’ve got my
good
shoes, some oranges for our sustenance (culls from her father’s orchard
I
knew), and one bottle of store-bought root-beer. I’ll even share the
root-beer
with you, although it would only be fair if you paid me back for half
of it.”
Even
in the dark, just by the sound of her
voice I could tell Margaret-Ann was smirking. She can sure have a high
opinion
of herself.
“Why
are you worried about being dressed
up? It isn’t Sunday, and there aren’t any movie houses open at this
hour.”
Still
she eluded giving me a straight
answer. Margaret-Ann loved suspense, and as I was her only audience,
she was
going to make the best of it.
“Write
your parents a note telling them we
are going over to San Jose Creek to catch fish and won’t be back until
afternoon.”
“Catch
fish,” I replied, “everybody knows
there’s no fish there. Beside you know I can’t just lie like that,
especially in writing.”
“All
right then, say you are going to catch
polliwogs—there’s oodles of them down there, and the creek’s in the
same
direction we’ll be heading to get to our d-e-s-t-i-n-a-t-i-o-n.”
Margaret-Ann
rolled the word out as much as
possible for the dramatic effect. My curiosity usually isn’t greater
than my
sense of honesty, and I still don’t think I would have gone until she
said one
magical, magical word.
“Valentino.”
The
very air of the quiet orange groves
seemed to quiver in excitement on hearing the name. Here was the
personification of all my daydreams. He seemed to have sprung up
ready-made to
merge all favorite childhood tales of the Arabian Knights onto the
silver
screen as the lead actor in my most favorite movie ever, The
Sheik. I was in love with all things exotic and mystical, and
the name Rudolph Valentino was the most exotic and mystical of them
all.
“How…
where… what do you mean? You aren’t
teasing me are you? Tell me, TELL ME.” Now my voice was the one overly
loud next
to the sleeping house.
“First
you write that note to your family,
and I’ll explain while we’re walking. We have a long ways to go.”
So
I wrote that untruthful note. Just like
Margaret-Ann knew I would once she had uttered those four syllables of
Valentino’s name. His magnetism could have pulled me up a mountain,
which was
to prove not too far a stretch from the truth during the next few hours.
In
the front yard, Margaret-Ann was
impatient. “Come on, I want to be well away from our houses before
someone sees
us. If I’m spotted, I’ll have to do all my morning chores, and then
we’ll be
too late.”
As
we walked, Margaret-Ann finally began to
tell me how this trip came to be.
“You
remember reading in the newspaper a ways
back about that cereal millionaire W. K. Kellogg buying a lot of land
near
Pomona to build himself one mansion, and then another for his stable of
imported Arabian horses?” She
continued
without waiting for a reply.
“Well
it seems a lot of movie stars go
there to see the horses, take pictures, and of course get their own
pictures
taken. We both know Valentino is a real-life horseman with horses of
his own and
such, so I figured it was just a matter of time before he’d have to
show up
there too. And sure enough, he’s going to be there today to ask about
using one
of the Arabian stallions in his next movie, which is, can you believe
it, Son of the Sheik! My brother
heard Old Giuseppe
talking about it at the orange packing plant during the nightshift, and
Old Giuseppe
heard it from some sort of cousin of Valentino’s chauffer. So it has
got to be
true! And we are going to walk over the hills to see him ourselves.”
She
finished this last bit twirling around on one foot.
However,
I stopped in my tracks. She made
it sound so easy. Just like a stroll to your next-door neighbor’s
house. Worries
like trespassing, bodyguards, or long steep hills were just
insubstantial
details to Margaret-Ann.
Yet,
I knew I had to go on with her;
something inside me just took over. I could never have given up even
the
remotest chance of actually seeing Valentino. My feet began to keep
pace with
Margaret-Ann’s seemingly of their own accord.
In
the meantime, Margaret-Anne’s mouth was briskly moving on its own accord.
“This
visit should be educational for me
since you know I am planning to be an actress. Getting to see a movie
star up
close might help me practice my dramatic technique. ‘Cause in the
movies it’s
not just facial expression. Your postures and gestures have to be
dramatic too.
Just looking at actresses like Lillian Gish and Mary Pickford, you can
really
tell what’s happening even if there’s no sound.”
“I
know Margaret-Ann, I’ve been to as many
movie as you have. And I’m not so stupid as to have failed to figure
out the
stories without sound. What I am worried about is knowing how we are
going to
find a way onto the millionaire’s property and simply go up to Rudolph
Valentino.”
“I
have a plan.”
I
should have known she’d say that instead
of just coming out with it.
“Well,
what is it?”
Margaret-Ann
continued. “We can’t just walk
in through the main gate at the entrance off the new road from Covina
to
Pomona. Instead we’ll take a shorter, but more uphill way. We’ll go
through the
Henkel’s pasture and over the hills by Buzzard’s Peak, and come down
onto the
backside of the Kellogg Ranch! Isn’t that super?”
She
did have a point, but it still sounded
pretty chancy to me.
“Have
you ever been all the way through
Henkel’s pasture, or over Buzzard’s Peak?”
“No,
but that shouldn’t matter. Where cows
can go, people can too. It’s a known fact.”
“But
the pasture doesn’t include the
backside of Buzzard’s Peak…” my voice was small enough to be easily
ignored by
someone in Margaret-Ann’s frame of mind, and so we marched on in
silence as the
sun began lightening the sky for another California day.
And
it was a beautiful day. There had been
enough well spaced rains that winter to make the hills a beautiful
tapestry of
greens dotted here and there with bright wildflowers. Off in the
distance to
the north lay the San Gabriel Mountains in a deep shade of
purplish-blue,
with just a little snow left on top Mt. Baldy to give it a light blue
cap. The
birds were awakening now and beginning to twitter, and it was easy for
me to
see this as a good sign. Even nature seemed happy that Rudolph
Valentino was
coming, and my spirits were rising.
Soon
we came to the wooden bridge above the
creek. Margaret-Ann waited restlessly for me as I went down alone
through the wraiths
of ground fog to the creek bed. I knelt down at the water’s edge and in
the dim
light scooped my cupped hand into a spot where polliwogs were likely to
be
hiding. It was hard to tell, but I think I managed to get one on my
third try.
Now I could honestly say I had gone polliwog hunting in the creek. I
headed
back up to join Margaret-Ann.
Soon
after this though, came my next trial of conscience. It was time to
sneak into Henkel’s’
cow pasture. I felt guilty even though all Margaret-Ann did was crouch
down and
pull up the bottom strand of barbed wire, and give me a nudge
indicating I had
to crawl under first. Slowly I went under, hugging the wet slippery
grass to
make myself as thin as possible.
The
morning stayed quiet. No one appeared
to shout at us, no barking dogs came our way. Everything seemed just as
the
same on Henkel’s side of the fence, and soon I was holding up the
barbed-wire
strand for Margaret-Ann to go under. But I also felt we had crossed
some
invisible boundary and there could be no turning back.
“Here’s
the cow trail.” I was proud I was
the one who found it. Margaret-Ann had been getting a little too
carried way
with her leader-of-the-trip role. Cow trails are usually only wide
enough for
one person at a time, which meant Margaret-Ann had to follow me for the
first
time all day. But that didn’t stop her from talking as much as before.
“It’s
too bad the flickers are only in
black and white. My red hair is such a beauty asset that it’s a shame
it won’t
show up on film.”
I
rolled my eyes at the dawn sky above us.
Her hair isn’t really all that red. More what I would call reddish, and
I
corrected her on that once at home where Mama overheard me. Mama took
me aside
and told me that since Margaret-Ann doesn’t have all that much in her
life to
brag on, and if red hair was one the few things she owned to be proud
about,
then let her be. It’s just that Margaret-Ann can be so aggravatingly
superior
while kind of poor at the same time.
The
sun grew higher, the spring morning
warmer, and still we marched our way eastward and upward on the San
Jose Hills.
Margaret-Ann was beginning to look a little flushed under her two
layers of clothing.
“Elora,
you carry something for a change
instead of making me do all the work for you.” Meaning of course, the
oranges
and the root-beer.
“Why
don’t we just stop and eat some of the
oranges.” I said suddenly noticing my empty stomach.
“That’s
an excellent idea, let’s sit on the
rock over there in the shade.
After
we sat down and had quickly gobbled
two oranges apiece, Margaret-Ann began one of her long-winded
pronouncements.
“I’m
going to have to change my name to
become an actress. Nobody ever heard of an actress with a name like
Margaret-Ann Morton.”
“But
don’t you want a name no one else has?
Isn’t that the point so you can be identified?” I asked.
“Not
one that sounds so homely and
old-fashioned. Ugh! I need something glamorous and sophisticated. What
about
Margann Morton? Yes, Margann Morton, I’m surprised I didn’t think of it
before!
Don’t you just love it Elora? From now on I want you to call me
Margann.”
“Margaret-Ann,
how can you expect me to
call you something different than your name after all these years?
People can’t
simply change their names while sitting on a rock in a cow pasture.
Besides,
everybody else would still be calling you Margaret-Ann. Nobody would
pay any
attention to just me. You’d have to get someone more important than me
to do it
before it would work.”
“Well,
somebody has to be first. If you
were really a good friend you’d start calling me Margann.